AUDITION FOR HABEAS CORPUS

GRADS’ next production will be the hilarious, raunchy farce Habeas Corpus by renowned British playwright Alan Bennett, at The Dolphin Theatre, UWA, presented by arrangement with Origin Theatrical on behalf of Samuel French Ltd.

It will be directed by Edgar Metcalfe AM CITWA, one of the driving forces behind Australian professional theatre for nearly half a century, who has directed several wonderful plays for GRADS.

Auditions 28th and 29th April: Venue: to be notified on application
Rehearsals (Sunday afternoons, Monday and Wednesday evenings) start: 27th May

Cast must be available for all rehearsals

Production week starts 15 July

Runs: 20 July to 4 August, Wednesdays to Saturdays.
Graduates and non-graduates are all invited to audition.
This is a non-professional production.
To audition, please contact: clairemalavaux@hotmail.com

Please prepare a short piece from a modern comedy for the audition. It can be read.

Cast required (ages are stage ages)

Arthur Wicksteed, 53, lusty doctor, large role
Muriel Wicksteed, wife of Arthur, 50. Buxom build, lusts after Sir Percy Shorter
Dennis Wicksteed, son of the above, 19-30, a hypochondriac always finding new illnesses
Constance Wicksteed, 30-40, flat-chested spinster who longs for a new body
Mrs Swabb, mature charlady and housekeeper, acts as chorus
Canon Throbbing, 30-40, repressed, randy, courting Constance
Lady Rumpers, 50-60, upper class Lady with a dark secret past
Felicity Rumpers, 20-30, gorgeous, flirtatious, lusted after
Mr Shanks, mature, a medical apparatus installer
Sir Percy Shorter, 50-60, president of the British Medical Assoc. Short, reacts badly every time shortness is mentioned
Mr Purdue, mature patient of Dr. Wicksteed, suicidal

 

Habeas Corpus is Alan Bennett at his incomparable best.

Permissive society is taken to task in this classic farcical comedy in which the characters, stereotypes as their names suggest, move – and indeed dance – in and out through a maze of mistaken identities and sexual encounters.

In Hove, Brighton in the 1960s, the lust and longing of the permissive society has well and truly taken hold of the apparently respectable Wicksteed family.

The determination to put sex and the satisfaction of the body before anything else is the ruling passion of their lives.

With a succession of characters ranging from a rampant doctor and a randy vicar, to a frustrated flat chested spinster and a baffled domestic cleaner, this is a rollicking, saucy English farce that will have ‘em rolling in the aisles!

Like some saucy Magill seaside postcard or an end-of-the-pier romp, identities are mistaken, the wrong knockers admiringly fondled, and libidos burst out of enforced hibernation!

 

Coming in July…

GRADS presents
by arrangement with Samuel French Ltd.
the hilarious, raunchy farce
Habeas Corpus
by renowned British playwright
Alan Bennett
at The Dolphin Theatre, UWA
Directed by Edgar Metcalfe AM.

Dolphin Theatre, UWA,
July 20, 21, 25, 26, 27, 28, August 1, 2, 3, 4

Tickets $25 ($20 concession)

Book at www.grads.org.au


Habeas Corpus is Alan Bennett at his incomparable best.

Permissive society is taken to task in this classic farcical comedy in which the characters, stereotypes as their names suggest, move – and indeed dance – in and out through a maze of mistaken identities and sexual encounters.

In Hove, Brighton in the 1960s, the lust and longing of the permissive society has well and truly taken hold of the apparently respectable Wicksteed family.

The determination to put sex and the satisfaction of the body before anything else is the ruling passion of their lives.

With a succession of characters ranging from a rampant doctor and a randy vicar, to a frustrated flat chested spinster and a baffled domestic cleaner, this is a rollicking, saucy English farce that will have ‘em rolling in the aisles!

Like some saucy Magill seaside postcard or an end-of-the-pier romp, identities are mistaken, the wrong knockers admiringly fondled, and libidos burst out of enforced hibernation!

Director Edgar Metcalfe has been one of the driving forces behind Australian professional theatre for nearly half a century, and has directed several wonderful plays for GRADS.

GRADS’ summer Shakespeare

 

‘These are barren tasks, too hard to keep,
Not to see ladies, study, fast, not sleep!’

The beautiful Elizabethan style New Fortune Theatre at the University of Western Australia with its resident peacocks was the perfect setting for Shakespeare’s most beautifully lyrical play, Love’s Labour’s Lost, an extravaganza of wordplay and wit, glowing with lush language and romantic tomfoolery.

The Graduate Dramatic Society’s Sixtieth Anniversary production was directed by Grant Malcolm, the award-winning director of the inaugural GRADS’ Summer Shakespeare season.

Hilarious and highly entertaining, this boisterous comedy delighted with its excruciating cross-purposes and impersonations, drunkenness, bust ups and pratfalls.

No sooner have the young king and his courtiers at the court of Navarre zealously vowed to give up good living and women for three years to focus on serious study, than temptation arrives in the form of the Princess of France and her very attractive, very intelligent, and very saucy entourage – and the young men find their pulse rates soaring!

Infatuation, adolescent pranks and playful confusion lead to more serious matters, revealing the cost of real love.

This, Shakespeare’s most intellectual comedy, is also a joyous celebration of language, groaning with puns, rhymes, bizarre syntax, grotesque coinages and parodies.

It ran at the New Fortune Theatre, UWA, at 7.30 pm on 9, 10, 14-17, and 21-24 March.

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Email: bookings@grads.org.au or call 0438 699 623